My fabric design pieces are created using a process that involves playing with color, shapes, pattern and texture. It is a multi-step process.
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The fiber work reflects a journey which involves using multiple materials and techniques. I first start with creating small mixed media abstractions in which I use the collage method by bringing together pieces of hand decorated papers that focus on playing with making marks, colors and shapes. Sometimes these shapes are a reflection of natural elements like rocks or textures found in the earth. This is all done with an eye on design elements like color combinations, patterns and shape. Once the papers are completed, I cut them up and put them back together again, composition is key in this step. Without the successful combination of elements, a piece will not work.

Next, I take the mixed media piece and project it onto paper to make a pattern. From here I cut out the matching fibric pieces and sew them back together. The mixed media piece is only an inspiration as I quite often modify my design as I go. For texture I use the stitch but sometimes use other surface enhancements like scraps of yarn or old buttons.

This process involves both sides of my brain. While the creation of the mark making papers is fast and loose, the collage of the papers or the sewing of the fabric is more of a meditative healing process. It is slow and deliberate. It is a process that is not only creative but also calming and is ever evolving. I am playing in abstraction. I don’t really want to look for the destination but only the process of the journey.

I work in Questa, NM at my home studio. A place that lends itself to the quiet reflection of its beautiful surroundings.

Bio

Peggy was raised on a cattle ranch near the ghost town of Cerrillos, New Mexico. Her youth was spent playing imaginary games on the land, herding cattle or making art. Later, Peggy taught high school Advanced Placement art classes. “My favorite unit was the Interpretative Lessons. The student had to break free of restrictions and focus not on the observed, but on institution and feeling.” This idea is the backbone of her work, using intuition to lead in her explorations in fiber.

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